
Music • Year 12 • 60 • 1 students • Created with AI following Aligned with Australian Curriculum (F-10)
Introductory lesson on bass guitar, include basic information like the names of each string(from lowest sounding it is: E,A,D,G), anatomy of the instrument(e.g tuning pegs, neck, bridge, pickups etc.). Include diagram labelling each part.
Begin with light warmup by serving metronome to 70bpm and plucking the open E string on each beat, focusing on proper muting technique by lightly resting your first finger over the rest of the open strings to dampen their sustain. Continue this with all the open strings while adjusting mute technique with left hand for proper tone and clarity by following through with each pluck to the string behind it. E.g if playing the G string, follow through with your left hand until your finger rests on the D string. Do this for 5 minutes. Introduce the concept of the 5th and octave, while asking the questions: what? why? and how?
What: the fifth serves as one of the most fundamental intervals in music, commonly heard in the power chord of pop and rock songs. located halfway between the root and octave(briefly explain a scale) which is 7 half-steps away or two frets and one string above the root.
Why: As it's such a fundamental interval, it allows us to create more movement and rhythm within our lines while not being too distracting/disruptive of the harmony.
How: Practice with a metronome on 70bpm moving between the root and fifth on the E string, paying attention to the fretting fingers while releasing each note for proper muting technique. once comfortable try on the 3rd fret of the E string(G) to the 5th fret of the A string(D).
Next, incorporate the octave into the mix! Can be found on the same fret one string higher from the 5th, e.g if starting from the 3rd fret E string(root G), the fifth would be 5th fret A string(D) and the octave 5th fret D string(G). Play the previous exercise but with the octave as the 3rd note before going back down to the root.
What: The Octave(8th) is the root note but at the next degree higher, completing and resetting our scales. Located on the same fret but a string higher than our 5th, and two frets and two strings higher than our root note. So if our 5th is the fifth note of the scale, the octave is the 8th.
Why: The octave serves as the most foundational interval besides our root note, as its note value and role in a harmonic context are essentially the same except the octave is higher in pitch(exactly double the frequency of the root). It is common in funk and disco as a way to create syncopation and groove without losing the foundation of the harmony. How: Practice the exercise from above but now instead of passing through the 5th on the way up, skip it and go straight to the octave(8th). E.g play G on the 3rd fret E string and then play G on the 5th fret D string and alternate between. Once this gets comfy try moving the octave around the fretboard for instant disco basslines! Major Pentatonics: What: One of the most important(perhaps the most) scale to understand and get under the fingers is the major pentatonic. Consisting of the Root(1st), 2nd, 3rd, 5th and 6th of a major scale, it is playable with various different patterns and shapes. Why: Its extreme versatility and playability on the fretboard have led to it being used in most songs/genres the world over. it contains only five notes that naturally harmonise well together and lack any dissonance. How: With our metronome at 70bpm,Start with our first finger on our C note on the 3rd fret A string and slide that finger up to the 5th fret A string(D), then using our pinky play the 7th fret on the same string(E). After this repeat the pattern of 5th and 7th fret on the D string(G and A) and then finally reach the top by playing 5th fret on the G string(C octave). Be mindful of keeping fingers close to the fretboard at all times and timing of notes. Once you feel confident with this shape try applying it to different root notes, such as F and D. Song study: “My Girl” by The Temptations Transcribe the Intro, Verse and Chorus of “My Girl”, which heaving employs the ascending major pentatonic in its iconic opening riff. Use YouTube or preffered audio software to slow down the track to a suitable tempo(I’d start slow around 75%) and start speeding up when you can play it without mistakes. If you get the first parts down and want to challenge yourself try working out the bridge and key change at the end of the song!
Subject: Music
Year Level: Year 12
Curriculum Area: Australian Curriculum – Senior Secondary Music
Learning Objectives:
This lesson introduces students to the fundamental aspects of the bass guitar, focusing on technique, music theory, and practical application. The lesson incorporates active playing exercises, theoretical discussions, and a guided song study.
Materials Required:
Using a labelled diagram, discuss the key components of the bass guitar:
| Part | Description |
|---|---|
| Headstock | Houses the tuning pegs, which adjust string tension |
| Tuning Pegs | Used to fine-tune string pitch |
| Nut | Guides the strings to maintain correct spacing |
| Neck & Fretboard | Long wooden surface with metal frets that define pitch |
| Frets | Metal strips indicating semitone divisions |
| Body | Resonates and captures string vibrations |
| Pickups | Magnetic elements converting string vibrations into electrical signals |
| Bridge | Anchors the strings at the lower part of the body |
| Tone & Volume Knobs | Control sound output and tone shaping |
Activity:
Objective: Develop plucking accuracy while controlling string sustain
Key Considerations:
What:
Why:
How:
What:
Why:
How:
Advanced Challenge: Move the octave pattern to different notes across the fretboard.
Practise the C Major Pentatonic Scale (C–D–E–G–A–C) with the metronome:
Once comfortable, experiment with the shape using F and D as root notes.
Analyse and play the iconic intro riff, verse, and chorus using the Major Pentatonic Scale.
Approach:
This lesson aligns with the Senior Secondary Music curriculum, focusing on performance techniques, aural skills, and music analysis. It also covers key competencies in listening, technical applications, and improvising.
By grounding theory in real-world music applications, students engage deeply while building technical fluency. Thought-provoking questions spur critical thinking, transforming bass playing from an isolated skill into a musical conversation.
Would love to hear how this worked in your classroom! 🚀🎸
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