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Verse features

English • 45 • 4 students • Created with AI following Aligned with Australian Curriculum (F-10)

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English
45
4 students
21 July 2026

Teaching Instructions

This is lesson 10 of 20 in the unit "Bully on the Bus Journey". Lesson Title: Language Features of Free Verse Lesson Description: Australian Curriculum v9 links: (AC9E2LA03) - Identify features of literary texts, such as characters and settings, and give reasons for personal preferences. (AC9E2LY06) - Create and edit literary texts by developing storylines, characters and settings. Identify alliteration, similes, and personification in the text through interactive word hunts. Students experiment with these language features in shared writing activities.

Overview

In this lesson (Lesson 10 of 20) students explore language features in free verse by hunting for alliteration, similes, and personification in shared text, then using the features to co-create short lines together.

Learning intentions

  • Students will identify features of free verse, including language choices that create mood and meaning.
  • Students will find and explain alliteration, similes, and personification in a short poem.
  • Students will create and revise a small free-verse stanza that includes at least two targeted language features.
  • Students will share a personal preference for a line and give a reason.

Success criteria

  • I can point to examples of alliteration, similes, and personification in the poem.
  • I can say what each language feature helps the reader understand or imagine.
  • I can write and edit free-verse lines with clear, correct use of at least two language features.
  • I can choose a line I like and explain why.

Curriculum links

  • Identify features of literary texts (including settings) and give reasons for personal preferences.
  • Create and edit literary texts by developing storylines, characters, and settings.
  • Use language features in creative writing, including alliteration, similes, and personification.
  • Build comprehension through interactive rereading and discussion of literary language.

Lesson structure (45 minutes)

  1. 0–5 min | Focus check & retrieve learning Students recap yesterday’s free-verse focus (setting and character) using a quick “Bus memory” prompt: “Who is on the bus? Where are they?” Teacher shows the poem fragment from prior lessons (or reads it again).

  2. 5–10 min | Mini-lesson: what to hunt Teacher explains (with gestures and quick examples) how to recognise:

  • alliteration (repeating starting sounds),
  • simile (like/as + comparison),
  • personification (non-human things with human actions/feelings). Students practise with 3 teacher-made mini-sentences, responding chorally and with thumbs up/down.
  1. 10–20 min | Interactive word hunt Teacher displays a short free-verse page (large print). Students work in 4 small “roles” (one role per student):
  • Sound Spotter (listens for repeated starting sounds),
  • Like/As Finder (circles similes),
  • Person Maker (underlines personification),
  • Proof Reader (checks the class’s example fits the definition). Students use coloured markers or sticky notes to mark evidence, then teacher asks: “What does this help us see or feel?”
  1. 20–28 min | Shared writing: choose a setting & mood Teacher and students co-create a 4–6 line free-verse stanza about the bus journey setting (e.g., “morning bus,” “wet windows,” “wheels humming,” “bus stop shadows”). Teacher prompts: “What feeling do we want—excited, worried, brave?” Students propose one line idea each.

  2. 28–37 min | Shared writing: add targeted language features Teacher writes the stanza live and pauses at each line to add the hunted features:

  • Add one alliteration line (e.g., “bus wheels whirring”),
  • Add one simile line (e.g., “like a silver kite”),
  • Add one personification line (e.g., “the seats sing”). Students choose the best option from two teacher-written versions and justify briefly (“because it sounds like…” / “because it makes the bus feel…”).
  1. 37–43 min | Edit & revise (quick teacher conference) Students “revise for clarity” using a simple checklist on the board:
  • Does the line include like/as (simile) or a person doing a human action (personification)?
  • Does it match the setting we chose? Teacher does rapid micro-conferences, modelling one change (adding/removing words) and then asking students to suggest edits for one line.
  1. 43–45 min | Exit reflection Students complete a 1-sentence response orally or on paper:
  • “My favourite line is ____ because ____.” Teacher collects 4 responses and notes which language feature ideas are secure.

Resources

  • Large-print copy (or projected copy) of a short free-verse fragment from the unit
  • Coloured highlighters/pens or sticky notes in 3 colours (for each language feature)
  • Simple language feature cards (Alliteration / Simile / Personification) with kid-friendly definitions
  • Board or chart paper for shared writing (pre-drawn lines for the stanza)
  • Checklist for editing (two–three items only)
  • Student writing books or paper
  • Timer and visual schedule cards
  • Optional: audio recording of the poem for rereading (teacher reads aloud once)

Assessment

  • Teacher observation during word hunt: accurate identification and short explanations.
  • Quality of shared-written stanza lines: correct and meaningful use of at least two language features.
  • Exit reflection: students’ ability to link a preference to meaning (reasoning, not just stating).

Differentiation

  • Support (ADHD/Autism): short, clear roles during the word hunt; visual cue cards; brief movement breaks (“grab a sticky, circle, return”).
  • Support (language): sentence starters for explaining evidence (“This is alliteration because…”, “It is a simile because…”, “This is personification because…”).
  • Extension (ready writers): students add an extra line that uses a new language feature not yet used in the stanza, then explain how it changes mood.
  • EAL/SEN: allow oral responses and picture-based prompts for “setting” and “feeling,” plus model examples before independent marking.

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