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Clay, Conflict & Creativity

Art • 50 • 27 students • Created with AI following Aligned with the NCCA Primary Curriculum, Junior Cycle & Senior Cycle (Leaving Cert) specifications

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Art
50
27 students
3 May 2025

Teaching Instructions

I want the plan to focus on art related to conflict using clay

Clay, Conflict & Creativity

Overview

This 50-minute lesson invites 4th class students to explore the theme of conflict through the tactile medium of clay. Students will investigate emotions and expressions linked to conflict and creatively represent these in 3D forms. This hands-on arts experience supports emotional literacy, critical thinking, and artistic skills in line with the IE Curriculum's Visual Arts framework.


Curriculum Links

Subject: Visual Arts
Level: Fourth Class (Age 9-10)
Relevant Strands & Strand Units (Visual Arts, Curriculum Framework for IE):

  • Strand: Making
    • Strand Unit: Construction (3D Form)
  • Strand: Appreciating and Responding
    • Responding to various stimuli and expressing personal understanding
  • Learning Outcomes Addressed:
    • Making/Construction: Create a three-dimensional form to express an idea or emotion.
    • Appreciating and Responding: Recognise and discuss how art communicates feelings and ideas, including those about conflict.

Cross-Curricular Links:

  • SPHE (Social, Personal and Health Education): Emotional awareness and empathy
  • English: Descriptive language development in art discussion

Learning Objectives

By the end of the lesson, students will be able to:

  1. Understand and discuss the concept of conflict and its emotional impacts in age-appropriate terms.
  2. Manipulate clay into simple, expressive 3D forms that symbolise aspects of conflict (e.g., tension, resolution, emotions).
  3. Use descriptive language to explain their creative choices in relation to the theme.
  4. Demonstrate cooperation and respectful sharing of ideas during group discussion.

Materials Needed

  • Air-dry clay (enough for each student approx. 150g)
  • Wooden modelling tools or plastic knives for shaping
  • Plastic mats or trays to work on
  • Paper towels for hand-cleaning
  • Visual prompts/images depicting non-violent conflict scenarios or emotion-based art
  • Whiteboard and markers

Lesson Structure

1. Introduction (10 mins)

  • Engage: Teacher shows visual prompts (e.g., simple drawings or sculptures showing emotions/conflict like disagreement between friends, an argument, or inner conflict).
  • Discuss: Group talk about what conflict means and how it might look or feel. Emphasise feelings like frustration, sadness, hope, or peace emerging from conflict.
  • Curriculum Tie-in: Highlight that art helps express feelings we sometimes find hard to put into words (Visual Arts – Appreciating & Responding).

2. Exploration and Modelling (30 mins)

  • Task Brief: Students are invited to create a small clay sculpture that represents an aspect of conflict—this could be a symbol, an abstract form demonstrating tension or resolution, or a visual metaphor for emotions linked to conflict.
  • Techniques: Demonstrate how to roll, pinch, and coil clay to create simple shapes and textures.
  • Individual Work: Students work independently but can seek help or inspiration from peers and teacher.
  • Teacher Role: Circulate to support technique and encourage reflection on how their clay work relates to the theme.

3. Sharing & Reflection (8 mins)

  • Pupils pair up or form small groups to explain their sculpture.
  • Use sentence starters: “My sculpture shows…”, “I used this shape/color/texture because…” (if using coloured clay or if painting is available later)
  • Discuss how their art reflects conflict or feelings inspired by conflict.
  • Teacher facilitates and models respectful, positive feedback and connects back to curriculum competencies in appreciating/expressing emotions through art.

4. Conclusion (2 mins)

  • Recap key learning: how art can communicate complex feelings like those found in conflict.
  • Encourage pupils to think about how creative expression supports emotional awareness in everyday life.
  • Assign a simple reflective question for next day’s journal: “How can making art help people when they feel upset or confused?”

Assessment & Differentiation

Assessment Methods:

  • Continuous observation during modelling for engagement and technique use.
  • Listening to and noting students’ explanations linking sculpture to theme.
  • Checking understanding of conflict and emotions through discussion.

Differentiation:

  • Provide extra modelling demos or one-on-one support for pupils who find clay manipulation challenging.
  • Encourage more abstract or symbolic expression for pupils who prefer non-figurative art.
  • For higher ability pupils, suggest they incorporate multiple elements (e.g., two parts showing conflict and resolution).

Extension & Cross-Curricular Ideas

  • Link with SPHE: Hold a class circle time to discuss conflict and resolution strategies inspired by their sculptures.
  • Language Extension: Write short poems or stories about the feelings explored in their sculptures for a combined art and English lesson.
  • Community Art: Create a collaborative large clay mural symbolising peace after conflict for display in school.

Teacher Reflection Prompts

  • How effectively did students connect the abstract theme of conflict to their clay creations?
  • Which clay techniques engaged learners the most?
  • How did discussion about conflict enhance students’ emotional vocabulary?
  • What modifications might improve inclusion and engagement in future sessions?

This lesson plan enables you to deliver a meaningful arts experience tailored to the IE Curriculum's goals, deeply integrating emotional and creative learning, bringing alive the subject of conflict through the versatile medium of clay.

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