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Cultural Rhythms Uncovered

Drama • Year 9 • 30 • 5 students • Created with AI following Aligned with New Zealand Curriculum

Drama
9Year 9
30
5 students
19 May 2025

Teaching Instructions

This is lesson 1 of 4 in the unit "Jazz Dance Evolution". Lesson Title: Introduction to Jazz Dance: Origins and Influences Lesson Description: In this lesson, students will explore the origins of jazz dance, tracing its roots from African American dance forms to its emergence in the early 20th century. They will learn about key historical figures and cultural influences that shaped the genre, setting the foundation for their research.

Cultural Rhythms Uncovered

Year 9 Drama – Lesson 1 of 4 in Unit: Jazz Dance Evolution

Lesson Title: Introduction to Jazz Dance: Origins and Influences

Curriculum Area: The Arts – Drama
Level: Level 4, New Zealand Curriculum
Lesson Duration: 30 minutes
Class Size: 5 students
Teacher's Focus: Deep contextual understanding, collaborative discovery, embodied learning


📚 Learning Intentions

By the end of this session, ākonga (students) will:

  • Understand the cultural and historical roots of jazz dance, with specific reference to African American traditions.
  • Recognise influential figures in the development of jazz dance.
  • Begin to engage in embodied and collaborative exploration using drama-based strategies.
  • Make connections between drama and dance as expressive forms used to convey identity and social history.

🌳 Big Idea Connection (NZC Drama)

Titiro whakamuri, kokiri whakamua –
Drama is influenced by whakapapa and is a way to respond to and share identity, culture, and perspectives.

Jazz dance – and its evolution – serves as a powerful lens through which students can explore cultural identity, socio-political history, and movement as language.


🧠 Key Competencies

  • Thinking: Analysing historical and cultural contexts
  • Relating to Others: Collaborating, listening, responding
  • Using Language, Symbols, and Texts: Using gesture and physical theatre to communicate meaning
  • Managing Self: Taking responsibility during group tasks
  • Participating and Contributing: Engaging respectfully with collective tasks and performance

🗂️ Lesson Overview

TimeActivityPurpose
5 minMihi Whakatau & Warm UpGround class in whakawhanaungatanga, warm body and voice
8 minIntro to Jazz Origins (Storytelling Circle)Introduce students to cultural roots of jazz through collective narrative
5 minGallery Walk (Images & Quotes)Visual and reflective engagement with key moments/figures
7 minEmbodied Tableau TaskPhysicalise understanding through frozen images
3 minReflective CircleVerbal unpacking of key learning
2 minExit TicketsIndividual written reflection or question for next time

🥁 Detailed Lesson Flow

1. Mihi Whakatau & Physical Warm Up (5 mins)

  • Begin with a short mihi whakatau to ground in tikanga Māori and create safe space for expression.
  • Lead students through a drama-based warm-up called "Pass the Rhythm":
    • One by one, each student introduces a rhythmic body sound (clap, stomp, snap).
    • The rhythm passes in a circle and grows as new beats are added.
    • Connects to the rhythmic roots of jazz and African drumming cultures.

Rationale: Builds trust and cohesion through rhythm, which foreshadows jazz’s pulse.


2. Storytelling Circle – The Roots of Jazz (8 mins)

  • In a seated circle, the teacher tells the evolving story of jazz dance:

    "Once upon a time, long before Broadway lights, there were people in the American South brought forcibly from Africa. They held tight to rhythm, movement, syncopation – their stories danced from plantations to the streets of New Orleans and onto the stages of Harlem..."

  • As a story prompt is introduced (syncopation, improvisation, resist-dance), teach students a movement or facial expression to represent it.

Interruption Points:
Periodically, pause and allow students to create quick 3-second embodiment of the story "chapter".

Example Moments:

  • Call and response patterns on plantation fields → chant & stomp
  • Harlem Renaissance dance halls → expressive arm movement
  • Iconic figure (e.g., Katherine Dunham) → students "pose" as her contribution is narrated

Rationale: Combines drama and learning by activating empathy & embodiment. Anchors abstract concepts in kinaesthetic experience.


3. Gallery Walk – Images & Quotes (5 mins)

  • Scatter printed photographs and quotes around the room showing:
    • African tribal dances
    • Lindy Hop, Charleston, The Cakewalk
    • Jazz Icons: Katherine Dunham, Jack Cole, Bob Fosse
  • Students walk silently, reading, observing. Use sticky notes to write one word that stands out and place it beside the image/quote.

Teacher Prompt Questions:

  • What does this movement 'say'?
  • How do clothes, music, setting influence movement?
  • What feelings do these images evoke?

Rationale: Develops visual literacy, critical inquiry into history and representation.


4. Embodied Tableau Task – Then & Now (7 mins)

Set-Up:

  • Groups of 2–3 (based on class size), students create two frozen scenes:
    • Scene 1: A snapshot of a jazz dance moment from the origins era (e.g., a street dancer in 1920s Harlem)
    • Scene 2: That historical energy being 'reimagined' in New Zealand today (e.g., integrating hip-hop or kapa haka)

Add a Level 4 Drama Twist: Ask them to add a symbolic gesture to each tableau (e.g., a clenched fist to symbolise fight for freedom, or reaching hand to show legacy).

Feedback Round: Remaining students “read” the image, interpreting symbols.

Rationale: Encourages dramatic inquiry, creative choice-making, and historic empathy aligned to Level 4 understanding.


5. Reflective Circle (3 mins)

Prompt students with:

  • “What is jazz dance really about beyond the moves?”
  • “How is culture stored in the body?”

Each student shares one sentence aloud. Encouraged to link to an image, movement, or idea from earlier.


6. Exit Tickets (2 mins)

As they leave, each student answers one of the following on sticky notes:

  • What is one thing that surprised you today?
  • Who is one person you want to learn more about from today’s lesson?
  • What’s a question you have about jazz dance?

Stick their notes on a designated class “Wall of Wonder”.


📦 Materials Needed

  • Printed images and quotes for Gallery Walk
  • Sticky notes and pens
  • Small speakers (optional light jazz or African rhythm in background during Gallery Walk/tableaus)
  • Clear floor space

🌿 Culturally Responsive Practice

  • Beginning with a mihi whakatau affirms the importance of tikanga and manaakitanga in every lesson.
  • Storytelling-based approaches honour oral traditions.
  • The content acknowledges African American cultural contributions while also encouraging students to localise jazz history into an Aotearoa New Zealand context.

🔄 Looking Forward

In Lesson 2, ākonga will delve into movement exploration, using elements of jazz style in performance-based improvisation. They'll begin developing a short group sequence inspired by historical styles transitioning into contemporary forms.


📎 Assessment for Learning

  • Observation of participation in tableau and drama circle
  • Depth of insight shared in reflection and exit tickets
  • Engagement during Gallery Walk recorded through sticky note observations

Drama is not only learned from a script, but from stories of the people, the movements they make, and the conditions they live in.
— Inspired by kaupapa Māori principles and international dance history


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