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Scene Expansion Workshop

Drama • Year 10 • 60 • 25 students • Created with AI following Aligned with New Zealand Curriculum

Drama
0Year 10
60
25 students
2 June 2025

Teaching Instructions

This is lesson 3 of 3 in the unit "Matilda: Scene Expansion Workshop". Lesson Title: Scene Expansion Workshop Lesson Description: In this final lesson, groups will collaborate to expand their selected scene by adding dialogue, stage directions, and character interactions. They will incorporate dramatic conventions such as tone, pacing, and physicality to enhance their scene. Each group will then present their expanded scene to the class, receiving feedback and reflecting on their creative choices.

Scene Expansion Workshop

Unit: Matilda: Scene Expansion Workshop

Lesson 3 of 3 – Duration: 60 minutes
Year Level: Year 10
Subject: Drama
Curriculum Alignment: Aligned to Level 5 of The New Zealand Curriculum – Arts/Drama
Focus Achievement Objective:

Develop and refine ideas in drama, using conventions, techniques, and technologies.
Perform and respond to drama, identifying ways elements, techniques, conventions, and technologies combine to create meaning in performance.


Learning Intentions

Students will:

  • Collaboratively expand a selected scene from Matilda by adding original dialogue, stage directions and enhanced character interactions.
  • Incorporate dramatic conventions (tone, pace, space, physicality) to deepen storytelling.
  • Engage in performance and constructive peer feedback.
  • Reflect critically on creative and collaborative processes.

Success Criteria

Students can:

  • Use physicality, voice, and dramatic techniques to enrich their group performance.
  • Show evidence of kotahitanga (unity) and mahi tahi (collaboration) in performance preparation.
  • Integrate te ao Māori values (e.g. manaakitanga in feedback, whanaungatanga in group work).
  • Reflect thoughtfully on their process and apply feedback constructively.

Resources Required

  • Copies of selected scene excerpts from Matilda
  • Scripts from previous lessons with student annotations
  • Performance space (cleared classroom or school hall)
  • Props and costume items (optional, teacher-provided box)
  • A whiteboard and markers
  • Reflection sheets or student journals

Lesson Flow (60 minutes)

1. Whakawhanaungatanga & Warm-up (10 minutes)

Building connection and group readiness

  • Nau mai, haere mai – Begin with a karakia and short kōrero about the purpose of today’s workshop.
  • Drama game: "Sound and Movement Echo" – A leader makes a simple sound/movement; the group echoes. Builds focus, unity and readiness for voice and body work.
  • Recap learning from Lesson 2: What did we already change or add in our scene? What dramatic conventions have been useful so far?

2. Scene Refinement & Expansion (25 minutes)

Creative development of scenes with support from teacher

Groups will:

  • Revisit their selected scene and refine it further by:
    • Expanding dialogue to show character motivation
    • Adding movement/stage directions to use physical space creatively
    • Experimenting with voice (tone, accent, volume) and pace
    • Incorporating moments of stillness, tableau, slow motion, or improvisation
  • Focus concepts: tone, pacing, use of proxemics and physicality, tension, and role-on-the-wall.
  • Encouraged to use bilingual prompts if comfortable (e.g. incorporating te reo Māori greetings or phrases for contextually appropriate characters).

🔎 Teacher’s Role: Roving kaitiaki – observe without feedforward, as per NCEA guidelines. Ask provoking questions like:
“How does this action show your character’s intention?”
“Whose voice isn’t being heard yet in the group’s direction?”

3. Performance and Peer Review (20 minutes)

Sharing work and building manaakitanga

  • Each group gives a performance of their expanded scene (approx. 2–3 minutes per group).
  • After each performance, a 1-minute structured feedback protocol:
    • 1 Positive (What worked well?)
    • 1 Question (What made you curious?)
    • 1 Suggestion (What could be added or changed?)

🟢 Use of “Wheako Whakaari” feedback cards on desks – simple sentence starters to guide warm, generous feedback, e.g.

"Your use of __ made us feel..."
"You could try using __ to explore more tension."

4. Reflection & Self-Assessment (5 minutes)

Consolidating learning

  • Students complete a short written (or oral if appropriate) reflection:

    • What choice today best brought your character to life?
    • How did your group work together?
    • What dramatic convention was most effective, and why?
  • Encourage inclusion of Māori values in responses: Whanaungatanga (How we worked as a team), Manaakitanga (How we supported others during performance and feedback).

📘 Teachers collect these as formative reflection for drama portfolios or digital journals.


Cross-Curricular & Cultural Connections

  • Te Ao Māori: Integrating values of whanaungatanga, manaakitanga, and kotahitanga throughout group collaboration and feedback processes.
  • English/Storytelling: Understanding character motivation, tone, and voice through expansion of scripted dialogue.
  • Social Studies: Exploration of identity, power, and resistance through Matilda’s themes.

Differentiation & Ako Support

  • Provide scaffolds or sentence starters for expanding dialogue for ESOL and neurodiverse learners.
  • Offer roles based on interest/strengths: script editors, movement directors, staging managers.
  • Allow opt-in leadership roles for confident ākonga and support roles for others still building confidence.
  • Students may reflect orally or visually (mind maps, sketches) rather than only in writing.

Teacher Reflection Prompt

At the end of the session, consider:

  • How did students respond to autonomy in shaping their own scenes?
  • Did the feedback process support growth in performance confidence and creativity?
  • Which students showed unexpected leadership or creativity today?

Next Steps / Extension Opportunities

This final workshop offers a springboard into:

  • Scriptwriting mini-unit – Students write their own scene inspired by Matilda.
  • ‘Real-Life Rebels’ Unit – Exploring courageous characters in theatre and real life, linking drama to social action.
  • School Showcase – Invite whānau to an informal sharing of revised scenes and reflections on learning journey.

“Ko te toi whakairo, te tohu o te rangatira.”
Artistic excellence is the mark of a leader.

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