
Art • 60 • 25 students • Created with AI following Aligned with New Zealand Curriculum
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Lesson 3 in an existing Year 9 Art unit titled “Construction and Joining”. Students transition from card construction to clay as a medium. They will replicate and extend what they learnt with card by making slabs of clay, cutting precise slots, and assembling miniature 3D constructions. Include a clear learning intention and success criteria, prior learning link to card slot constructions, teacher demonstration of wedging/rolling an even slab/cutting slots safely/allowing shrinkage and joining only where needed, student studio workflow, formative assessment, differentiation, health and safety, materials, cleanup, and reflection. Emphasise that the clay construction should be structurally stable, thoughtfully designed, and show evidence of planning from 2D templates to 3D form. Align to NZ Te Mātaiaho The Arts where appropriate, and note the spatial reasoning connection to constructing 3D forms from nets/plan views (official NZ curriculum source: https://newzealandcurriculum.tahurangi.education.govt.nz/new-zealand-curriculum-online/nzc---mathematics-and-statistics-phase-4-years-9-10/5637291579.p). Assume 60 minutes and 25 students.
In this third lesson of Construction and Joining, students move from card to clay, applying their prior understanding of slot constructions to a small, freestanding 3D form. They will plan from a 2D template or net, make an even clay slab, cut precise slots, and assemble a stable construction with minimal joining.
0–5 min · Reconnect and provoke. Teacher displays a successful card slot construction beside an unstable example using the opening comparison and learning intention slides, revisiting how slots created structure without glue. Students identify what made the card model stable and predict what may change when the material becomes clay.
5–15 min · Demonstrate clay processes. Teacher models wedging to remove air pockets, rolling an even slab between guide sticks, transferring or marking a simple 2D template, and cutting slots safely with the tool directed away from the body. Explain that clay shrinks as it dries, so slots must be slightly generous; demonstrate scoring and slipping only where a join is genuinely needed. Students watch, answer “what could go wrong?” questions, and use the clay slot-construction planning sheet to record a quick plan, template dimensions and likely shrinkage adjustments.
15–22 min · Plan before making. Teacher checks that each plan includes at least two interlocking pieces, a clear base or support, slot locations and a view showing how the form will stand. Students sketch or adapt a 2D net/template, label the slots, indicate approximate measurements and briefly predict where the structure may need reinforcement.
22–45 min · Studio construction. Teacher releases students to collect clay and tools, circulates for brief conferences, and pauses the class midway for a 30-second stability check. Students wedge and roll clay, cut pieces and slots, assemble their miniature form, then refine edges and surfaces. They keep joining minimal, test the construction on the table, and update the planning and testing section with changes made from plan to 3D form.
45–53 min · Gallery check and feedback. Teacher asks students to leave forms in place and pairs them for a quiet “structure and design” review, using the peer-review prompts. Students inspect a partner’s work without handling it, identify one successful structural choice and offer one specific suggestion about stability, proportion, slot accuracy or visual impact.
53–60 min · Clean-up and reflection. Teacher directs a team clean-up: return tools, scrape boards, reclaim workable clay, wipe tables and place constructions on labelled boards for controlled drying. Students complete the reflection and self-assessment on the final reflection section, then share one sentence: “My plan changed when…” or “My construction is stable because…”.
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