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Influential Artist Exploration

Art and Design • 60 • 25 students • Created with AI following Aligned with National Curriculum for England

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Art and Design
60
25 students
17 December 2025

Teaching Instructions

This is lesson 2 of 10 in the unit "3D Architectural Explorations". Lesson Title: Exploring Influential Artists Lesson Description: Students will study the works of Es Devlin or Emmanuelle Moureaux, focusing on their use of shape, structure, and materials. This lesson will involve group discussions and presentations to analyze how these artists interpret architectural themes.

Overview

Unit: 3D Architectural Explorations
Lesson: 2 of 10
Duration: 60 minutes
Class Size: 25 Year 10 students
Curriculum Link: National Curriculum for England - Art and Design (Key Stage 4)
Focus Artists: Es Devlin and Emmanuelle Moureaux


Learning Objectives (WALT)

  • WALT analyse the use of shape, structure, and materials in 3D architectural art.
  • WALT understand how Es Devlin and Emmanuelle Moureaux interpret architectural themes through their work.
  • WALT participate in group discussions to develop critical thinking about artistic influence and practice.
  • WALT present informed analysis using appropriate artistic vocabulary.

National Curriculum Links

KS4 Art and Design Programme of Study (2016):

  • Develop ideas from starting points throughout the curriculum: exploring and sustaining ideas in creative ways (Art & Design, 2a).
  • Analyse and evaluate: Art, craft, and design, including their own work and that of others, understanding how they reflect and shape our history and culture (3c).
  • Use a range of materials and processes to explore 3D forms and develop craft skills (1a, 1c).

Success Criteria

  • Identify and describe key features in the works of Es Devlin and Emmanuelle Moureaux.
  • Demonstrate understanding of architectural themes through discussion and presentations.
  • Use specialist vocabulary related to shape, structure, materials, and architecture confidently.
  • Collaborate effectively during group activities.

Resources Needed

  • High-quality printed images or projection of Es Devlin and Emmanuelle Moureaux’s works (dyslexia-friendly format: clear font captions, bullet points, minimal text).
  • A3 paper and coloured pens for note-taking and mind-mapping.
  • Worksheets with guided questions (differentiated reading levels).
  • Whiteboard and markers for summarising ideas.

Lesson Outline

1. Starter Activity (10 minutes)

  • Think-Pair-Share: Show two contrasting images: one by Es Devlin (stage-like architectural sculptures) and one by Emmanuelle Moureaux (multi-layered colourful architectural installations).
  • Students write (or draw) their initial impressions on A3 sheets — focusing on shape, structure, and materials.
  • Brief discussion to share impressions with neighbours (pair).
  • Highlight key vocabulary on the whiteboard: layers, repetition, space, interaction, light, materiality.

2. Group Exploration & Analysis (20 minutes)

  • Divide the class into 5 groups (5 students each). Assign each group either Es Devlin or Emmanuelle Moureaux.
  • Provide dyslexia-friendly worksheets with targeted questions:
    • How does your artist use shape and structure to create depth or movement?
    • What materials or illusions of materials can you identify?
    • How do these works interpret or challenge traditional architectural ideas?
  • Groups analyse 3-4 selected artworks, annotating around the images, cross-referencing their guided questions.

3. Group Presentations (15 minutes)

  • Each group presents their findings in a 3-minute presentation.
  • Encourage use of artistic vocabulary and clear explanations.
  • Other students note down at least one interesting point or question about the presenting group's artist.

4. Class Discussion & Reflective Writing (10 minutes)

  • Facilitate a whole-class debate comparing the two artists. Focus on:
    • Differences and similarities in their approach to 3D form and space.
    • How these artists inspire modern architectural design.
  • Conclude with 5 minutes individual reflective writing:
    • “Which artist’s approach to architectural form do you find more compelling? Why?”
  • Provide sentence starters for learners who need additional support (e.g., "I think Es Devlin's work is... because...").

5. Plenary & Success Criteria Check (5 minutes)

  • Quick quiz-style questions orally to check key vocabulary understanding (e.g., “What is meant by ‘materiality’?”).
  • Recap success criteria — students self-assess against them using a show of hands or short checklist tick.

Differentiation Strategies

  • For SEND/Dyslexic Learners:
    • Provide dyslexia-friendly reading materials: larger fonts, clear spacing, simple bullet points.
    • Use colour-coded notes and visual prompts to reinforce concepts.
    • Pre-teach vocabulary with flashcards.
  • For EAL Learners:
    • Pair EAL students with supportive peers, provide glossaries of key terms.
    • Use images and gestures to clarify meanings.
  • For Higher Attainers:
    • Extension task: Critically evaluate how the artists’ use of materials might influence the viewer’s experience of space, linking to contemporary architectural design trends or environmental concerns.
    • Research and briefly present an additional artist who works with 3D architectural forms.

Assessment

  • Formative assessment through observation during group work and presentations.
  • Peer assessment with feedback on use of vocabulary and understanding during presentations.
  • Reflective writing monitored for understanding and personal engagement with the topic.

Homework Suggestion (Optional)

  • Research another 3D artist working with architectural themes and prepare a visual or written summary (dyslexia-friendly formats provided) to share at the next lesson.

Innovative use of group dynamics and multi-modal inputs (visual, oral, written) ensures engagement and deeper understanding, aligning perfectly with the National Curriculum expectations for developing skills in art analysis, critical thinking, and creative expression.

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