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Recording Film Dialogue

English • 60 • 30 students • Created with AI following Aligned with National Curriculum for England

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English
60
30 students
10 December 2025

Teaching Instructions

day 4 RECORD PART 1 of film -do they need to record any narration or dialogue? Think about best ways to record dialogue. Extra adult needed on this day anda quiet space

children write and record dialgue include input about how to do this and I-am concepts include SEND and GD include input about how to do this and I-am concepts by guiding children to use ‘I am’ statements to express their character’s thoughts and feelings clearly through dialogue. Suggest practising lines in small groups to build confidence, offering visual prompts or cue cards for those with SEND to support memory and communication. Provide opportunities for more able pupils to experiment with tone, pace, and emotion to enhance their performance.


Learning Objectives (National Curriculum links)

  • English - Spoken Language
    Pupils should be taught to:

    • Participate in discussions, presentations, performances, role play, improvisations and debates (NC KS2 Spoken Language)
    • Use relevant strategies to build their vocabulary (NC English, spoken language)
    • Speak audibly and fluently with an increasing command of Standard English (NC English, spoken language)
    • Consider and evaluate different viewpoints, attending to and building on the contributions of others (NC English, spoken language)
  • English - Writing
    Pupils should be taught to:

    • Plan their writing by discussing and recording ideas, e.g. dialogues and character thoughts (NC KS2 Writing)
    • Use a variety of sentence structures and vocabulary appropriately and creatively for effect (NC KS2 Writing)
  • SEND & Inclusive Practice
    Adaptations to meet all learner needs aligned to Quality First Teaching (QFT) and National Curriculum expectations for SEND.


WALT (We Are Learning To)

  • Write clear, meaningful dialogue that expresses characters’ thoughts and feelings using ‘I am’ statements.
  • Practise and confidently record dialogue in a quiet setting using appropriate techniques.
  • Understand how tone, pace, and expression affect dialogue performance.
  • Work collaboratively and independently to build communication and social skills through film narration.

Success Criteria

  • I can write dialogue using ‘I am’ statements to show my character’s feelings.
  • I can practise my lines and perform clearly to record my part of the film.
  • I can use different voice tones, speeds, and emotions to make my dialogue interesting.
  • I can work calmly and communicate respectfully with my peers and adults.

Resources Needed

  • Quiet space with recording device (e.g. tablets, laptops or cameras with microphones)
  • Visual prompts and cue cards with ‘I am’ statements and character emotions
  • ‘I am’ statement examples handout
  • Script pages for each child (typed or handwritten)
  • Headphones for playback
  • Clipboards, pencils, and paper
  • Extra adult to support recording and SEND pupils
  • Timer or stopwatch to keep on schedule

Lesson Structure (60 Minutes)

1: Starter - Recap & Set Purpose (10 minutes)

  • Briefly recap previous days’ learning on animation and character creation. Refer to how dialogue brings characters to life.

  • Explain today is about writing and recording part 1 of their film narration and dialogue.

  • Introduce the importance of ‘I am’ statements as a way to express character thoughts and feelings clearly.
    Model example:

    • “I am nervous because this is my first time speaking on camera.”
    • “I am excited to tell the story.”
  • Show examples of good dialogue in short clips or read aloud.

  • Use Q&A to check understanding.

2: Main Activity Part 1 – Writing Dialogue Using ‘I am’ Statements (15 minutes)

  • Pupils gather in small groups (4-5) organised to mix SEND, GD (more able), and mainstream learners.
  • Provide visual prompts: emotions chart, example sentences, and cue cards.
  • Children begin writing dialogue for their character scenes using ‘I am’ statements.
  • Encourage use of repetition and structure for SEND pupils to ease cognitive load - e.g., start each line with ‘I am’ for predictability.
  • Scaffold GD pupils by encouraging more creative use of tone or descriptive language in their sentences.
  • Teacher and extra adult circulate to support with language, reading, and encourage verbal rehearsal.

3: Main Activity Part 2 – Practising Lines in Small Groups (15 minutes)

  • Pupils practise their dialogue aloud to build confidence, focusing on clear articulation.
  • Encourage use of tone, pace, and emotion to make the character distinct.
  • Provide quiet corners for SEND pupils with visual prompts to reduce distractions.
  • GD pupils can be challenged to experiment with voice modulation and improvisation.
  • Teacher models good performance strategies, using Procedural Implicit Pedagogy (PIP) - repetition, demonstration, and incremental rehearsal.

4: Recording Dialogue – Part 1 of Film (15 minutes)

  • In the designated quiet space, pupils record their dialogue using tablets or cameras.
  • Extra adult supports managing equipment and coordinating pupils.
  • Emphasise best practice: speak clearly, project voice, pause when necessary.
  • Allow multiple takes as needed following PIP principles of repetition for improvement.
  • Pupils wear headphones to listen back immediately; self- and peer-assessment encouraged.
  • SEND pupils receive one-to-one support; visual prompts and cue cards remain accessible.

5: Plenary – Reflect & Review (5 minutes)

  • Whole class gathers back together.
  • Discuss what strategies helped them speak confidently today.
  • Invite a few volunteers to share their favourite ‘I am’ statement or line.
  • Explain next steps – part 2 recording and animation coming soon.

Differentiation Strategies

Learner TypeStrategies
SENDVisual prompts, cue cards, repetition, quiet space, one-to-one adult support, simplified sentence frames (‘I am...’), shorter phrases.
Most Able/GDEncouraged to innovate with tone, pace, expression; write more complex dialogue with expanded vocabulary; experiment with improvisations.
EAL LearnersModelling spoken lines, rehearsing vocabulary beforehand, using bilingual visual aids if possible.
Dyslexic LearnersDyslexia-friendly font handouts, audio versions of scripts, use of colour-coded prompts, breaking down lines into smaller chunks.

Extension Activities

  • Pupils create an additional short monologue exploring their character’s inner thoughts beyond the dialogue.
  • Advanced pupils write stage directions or ‘mood notes’ to accompany their dialogue, supporting deeper engagement with tone/setting.
  • Use voice recording apps with sound effect overlays for pupils interested in experimenting with audio editing.

Assessment

  • Formative assessment through observation of group work and participation.
  • Listening to recorded dialogue to evaluate clarity, expression, and use of ‘I am’ statements.
  • Teacher uses a simple checklist aligned to NC Spoken Language outcomes for each child’s performance.
  • Peer assessment via reflection: Pupils identify one positive aspect and one thing to improve in their group performances.

Notes for Teachers

  • The lesson integrates the Implicit Arts Method (I-AM) principles, supporting procedural and implicit learning through modelling, repetition, and multi-sensory experience, which benefits neurodiverse learners.
  • Ensure the quiet recording environment remains distraction-free to support concentration and confidence.
  • The extra adult is crucial for both SEND support and managing technical equipment.
  • Maintain pace and calm atmosphere to avoid cognitive overload.
  • Building confidence through repeated practice aligns with national requirements for spoken language fluency and presentation skills.
  • This lesson directly supports the National Curriculum requirement for spoken language development as well as writing skills linked to character and narrative development.

This comprehensive approach engages all pupils in meaningful dialogue creation and film recording, developing English speaking and writing competencies in a dynamic, inclusive environment fostered by current academic research and national curriculum expectations.

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