Run, Run, Run!
Overview
Subject: English
Year Group: Reception (Ages 4–5)
Duration: 60 minutes
Theme: The Gingerbread Man
Curriculum Link:
Early Years Foundation Stage (EYFS) Framework – Communication and Language & Literacy
- Early Learning Goals:
- Listening, Attention and Understanding
- Speaking
- Comprehension
- Word Reading
Learning Objectives
By the end of the session, pupils will be able to:
- Listen carefully to and recall key events in The Gingerbread Man story
- Respond to what they hear with relevant comments, questions or actions
- Use descriptive language related to the story
- Demonstrate early comprehension through sequencing and role-play
- Engage in imaginative storytelling and simple sentence construction
Resources Needed
- Big book or pop-up version of The Gingerbread Man
- Gingerbread Man puppets / soft toys (one per group)
- Picture cards of the key story events
- Character masks (fox, old woman, cow, horse, little old man, etc.)
- Laminated story sequencing cards
- Baking tray and paper gingerbread men “props”
- Interactive whiteboard or easel pad
- Story mountain template (for plenary)
- Sound buttons or small percussion instruments
- 'Run, run, as fast as you can…' lyric cards
- Sticky notes and felt tip pens
- Baking scent spray (optional sensory engagement)
Starter (10 minutes) – Sensory Storytime Hook
Objective: To introduce the story engaging multiple senses.
Activity:
- Gather pupils on the carpet in a semi-circle.
- Spray a scent (ginger-spice, optional) or reveal a baking tray with pretend gingerbread men.
- Ask: “What might we be baking today?” Let children make predications.
- Introduce the big book version of The Gingerbread Man and read aloud using animated voices and pauses for children's reactions.
- Repeat the refrain “Run, run, as fast as you can! You can’t catch me, I’m the Gingerbread Man!” together. Use sound buttons or percussion for effect.
Teacher Tips:
- Use facial expressions and exaggerated gestures.
- React with surprise when different animals appear in the story.
- Encourage pupils to join in with any repeated phrases.
Main Activities (40 minutes)
Activity 1: Story Sequencing (15 minutes)
Objective: To recall and order key events from the story.
Instructions:
- Pupils are placed into groups of 5.
- Each group receives a muddled set of laminated story cards.
- Pupils discuss and try to put the cards in the correct order.
- Adult support to prompt with “What happened first?”, “Who did he meet next?” etc.
- Pupils act out each event as they order the story using puppets and props.
Extension:
- More able children write or trace a simple caption for one scene.
Activity 2: Freeze-Frame Drama (10 minutes)
Objective: To develop character understanding and expressive language.
Instructions:
- Choose 6–7 children for each character (e.g. fox, cow, the Gingerbread Man).
- Use character masks and instruct groups to create “freeze frames” – frozen poses representing how their character felt at a scene.
- Cue each group with narration: “When the Gingerbread Man ran from the cow…”
- Rest of class guesses each emotion (e.g. scared, sneaky, excited).
- Allow role swap and repeat.
Teacher Purpose:
- Promotes empathy and language-rich expression.
- Children begin linking feelings to actions in texts.
Activity 3: Make Your Own Phrase (15 minutes)
Objective: To build phonological awareness and creative language.
Instructions:
- Display the repeated phrase:
“Run, run, as fast as you can! You can’t catch me, I’m the Gingerbread Man!”
- Invite pupils to change the last line, e.g.
“You can’t catch me, I’m a chocolate flan!”
“You can’t catch me, I’m a biscuit in a pan!”
- Model a few silly examples and celebrate nonsense rhymes.
- Children use sticky notes to write or draw their ideas (adult scribes as needed).
Differentiation:
- Use sentence starters for those needing support.
- Introduce rhyme-matching games for early finishers.
Plenary (10 minutes) – Story Mountain Recap
Objective: To consolidate understanding of narrative structure.
- Display a large “story mountain” on the board:
- Beginning (Who? Where?)
- Build-up (What happens?)
- Problem (What goes wrong?)
- Resolution (How is it fixed?)
- Ending
- As a class, discuss and place key story events into the mountain.
- Encourage children to reflect on how stories often follow a “climbing and ending” shape.
- Invite one confident pupil to retell the story with prompts using the mountain.
Assessment for Learning (AfL)
✅ Observation of participation during story sequencing and drama
✅ Evidence of language use and comprehension in ‘make your own phrase’
✅ Pupil contributions to story mountain
✅ Target child notes for 3 pupils (focus on EAL, SEN, or lower-achieving baseline)
Differentiation Strategies
For EAL:
- Visual aids and gestures
- Paired storytelling with a native speaker
- Dual-language versions of story available
For SEN:
- Simplified text version
- Role-play with minimal spoken demand
- Repetition of core phrases for confidence
For More Able:
- Predict alternative endings
- Attempt sentence writing or mini comic strip
- Lead freeze-frame direction with peers
Cross-Curricular Extensions
- DT/Cooking: Bake real gingerbread men, then write thank-you cards “from the gingerbread man”
- Geography: Map the gingerbread man’s journey
- Maths: Measure ingredients and count how many animals he outran
- Music: Create chase rhythms with instruments – slow/fast tempo
Key Vocabulary
- Characters
- Chase
- Quick
- Run
- Catch
- Baking
- Cheeky
- Hungry
- Escape
Wow Factor
✨ Use a talking gingerbread man toy to suddenly “speak” from the baking tray at the beginning
✨ Transform the classroom into a story trail with footprints leading to stations (cow, horse, fox, etc.)
✨ End with an edible gingerbread character giveaway (with permission) in personalised wrappers
Final Reflection
Invite children to finish the sentence:
“If I were the gingerbread man, I would run away from…”
Use this as a display heading for their artwork or writing later.
Let’s bring the magic of storytelling alive through voice, drama, baking smells and giggles — because in Reception, stories should be felt as well as heard.