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Using Dialogue Creatively

English • 60 • 30 students • Created with AI following Aligned with National Curriculum for England

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English
60
30 students
10 December 2025

Teaching Instructions

day 4 using dialogue to convey character E.g showing that your character is kind, brave, bullying etc… Show animation examples Think about the beginning of your story and storyboard. What dialogue could show how your character is feeling? And how another character feels differently. E.g rainforest theme: “I love this forest - I grew up here!” “We need money more than a forest!” “Well, my home is more important to me than money!” Ch work with a partner to act out different ideas…and write down/record dialogue.

Recap punctuation (speech marks, punctuation, new line) and contracted forms

what other modelling can teacher do at start of the lesson for dialogue which includes encouraging procedural learning in the class

use specific NC goals for dialogue writing in year 5 in this lesson plan

Year 5 | 60 minutes | Class of 30


National Curriculum Links (English – Writing - Composition)

Pupils should be taught to:

  • Plan their writing by identifying the audience for and purpose of the writing, selecting the appropriate form and using other similar writing as models for their own
  • Draft and write by in narratives, describing settings, characters and atmosphere and integrating dialogue to convey character and advance the action
  • Evaluate and edit by assessing the effectiveness of their own and others’ writing, suggesting improvements
  • Use further organisational and presentational devices to structure text and guide the reader (e.g. headings, bullet points, underlining)

Pupils should also secure knowledge of:

  • Use of inverted commas and other punctuation to indicate direct speech (Year 5 grammar)
  • Use of contracted forms in dialogue appropriately

WALT (We Are Learning To)

  • Use dialogue effectively to convey character emotions and personality traits.
  • Represent contrasting feelings between characters through speech.
  • Use correct punctuation, including speech marks, commas, and new lines.
  • Use contracted forms within dialogue appropriately.
  • Collaborate and perform spoken dialogue to deepen understanding and engagement.

Success Criteria

  • I can write dialogue that shows how a character is feeling or their personality.
  • I use speech marks and punctuation correctly in my dialogue.
  • I include contracted forms (e.g. don’t, I’m) naturally in speech.
  • I can show two characters feeling differently through their spoken words.
  • I can perform dialogue clearly with a partner, using tone and expression.

Lesson Preparation & Materials

  • Short animation clips with clear, expressive dialogue showing character traits (pre-selected rainforest-themed animations or similar, 3-5 mins)
  • Whiteboard & markers
  • Dialogue examples from animations printed on worksheets (dyslexia-friendly fonts like OpenDyslexic, with coloured overlays available)
  • Storyboard templates for drawing and planning dialogue
  • Script writing sheets with space for character names and dialogue
  • Recording devices (tablet or phone) or simply use paired reading aloud
  • Visual prompts / flashcards with sentence starters, dialogue punctuation reminders
  • Timer for activity pacing

Lesson Outline

1. Introduction (10 mins)

  • Starter: Procedural Dialogue Modeling (PIP approach)
    Teacher models reading a scripted dialogue aloud twice: once flat, once with emotion, gestures demonstrating kindness, bravery, and bullying.
    Example:
    Child A: "I told him not to take my book. Why won’t he listen?" (frustrated)
    Child B: "I’m sorry. I didn’t mean to upset you." (apologetic)

  • Highlight how dialogue shows character feelings and intentions without explicitly saying them.

  • Briefly recap punctuation rules for speech from previous lessons using visual flashcards:

    • Inverted commas (speech marks) – start & end
    • Commas & full stops placement inside speech marks
    • New line for each speaker
    • Use of contracted forms
  • Write a simple dialogue on the board together, focusing on these elements.

  • Elicit from class some feelings or character traits dialogue can show (kindness, bravery, jealousy, bullying).


2. Animation Viewing & Analysis (10 mins)

  • Watch 2-3 short animation excerpts (1-2 mins each) showing rainforest characters talking, with contrasting views and emotions.
  • Use guided questions to promote engagement and procedural learning through observation:
    • What does the dialogue tell you about how the characters feel?
    • Which words or phrases show kindness, anger, or bravery?
    • How does the other character feel differently?
  • Invite students to repeat key expressive lines with partner echo reading to reinforce language patterns.

3. Paired Storyboard Dialogue Activity (25 mins)

  • Setting: Rainforest theme to keep continuity with the animation examples.
  • Each pair receives a storyboard sheet with 3 frames representing the beginning of a story.
  • Task: Create dialogue between two characters with contrasting feelings about the rainforest and money (e.g., “I love this forest – I grew up here!” / “We need money more than a forest!”).
  • Step 1: Discuss ideas quietly in pairs; teacher circulates and supports planning using sentence starters and vocabulary banks on flashcards.
  • Step 2: Write or draw speech bubbles in the storyboard frames – emphasising correct punctuation and contracted forms.
  • Optional: Pairs rehearse dialogue aloud using expressive tone and record using device or perform live to small group.

4. Reflection and Recap (10 mins)

  • Invite a few pairs to share their dialogues by reading or performing to the class.
  • Whole class provides positive feedback focusing on how well dialogue showed character feelings and used correct punctuation.
  • Highlight good examples of contracted forms and tone.
  • Teacher revisits the WALT and Success Criteria on the board to check understanding.

5. Plenary & Extension (5 mins)

  • Plenary question: Why is dialogue useful in stories? How can it help readers understand characters better?
  • Quick quiz: Find and correct punctuation errors in a prepared short dialogue on the board.
  • Extension: Independent writing challenge for advanced learners — add a third character with a different opinion, using dialogue to create a mini-conflict.
  • Differentiation: Provide sentence starters and modelled examples for lower-attaining learners or those with additional needs; visual supports for dyslexic learners (coloured paper, simpler sentences, dyslexia-friendly font sheets).

Differentiation Strategies

  • Visual scaffoldings: Storyboard templates and sentence starters support procedural learning.
  • Peer collaboration allows neurodivergent learners to engage through social interaction and rehearsal.
  • Use of animation and expressive reading meets diverse learning styles (visual, auditory, kinesthetic).
  • Dyslexia-friendly resources, such as OpenDyslexic font printouts with clear spacing and coloured backgrounds.
  • Extra adult support or simplified dialogue lines for SEND pupils as needed.

Assessment Opportunities

  • Formative: Teacher observation during paired dialogue planning and rehearsal (focus on verbalising feelings and correct punctuation).
  • Peer feedback during performances (guided by criteria).
  • Written dialogue on storyboards instantly visible for quick marking or adjusting specific punctuation errors.
  • Post-lesson written work can be collected for summative assessment against Year 5 writing standards in composition and grammar.

Wow Factor: Procedural Implicit Pedagogy in Action

By combining animation viewing, paired rehearsal, repeated reading aloud, and hands-on storyboard creation, this lesson embeds dialogue writing through doing, seeing, hearing, and performing rather than purely abstract explanation – a multi-sensory approach fostering confidence, especially for neurodiverse learners. Its integration of arts and language aligns perfectly with the Moving Minds I-AM vision for inclusive, impactful English teaching.


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