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Character Dynamics Focus

English • Year 7 • 60 • 30 students • Created with AI following Aligned with Australian Curriculum (F-10)

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English
Year 7
60
30 students
24 June 2026

Teaching Instructions

I want the lesson to focus on developing characters. Students have almost completed reading the text Percy Jackson and The Lightning Thief and I would like them to be able to create and introduce an additional character to the story in the chapter of their own choosing. Following this, students write a character profile detailing the new character’s traits, motivations, and how their presence changes the dynamics of the chapter, supporting their ideas with specific textual evidence for context.

Overview

Students will analyse how meaning is created through characterisation and narrative choices in Percy Jackson and the Lightning Thief, then create and introduce an additional character in a chosen chapter. They will write a character profile that explains traits and motivations and shows how the new character changes the chapter’s dynamics, supported by specific textual evidence.

Learning intentions

  • Students will identify how characterisation shapes point of view and the events of a chapter.
  • Students will create an additional character that fits the narrative world and audience purpose.
  • Students will explain how the new character’s traits and motivations influence conflict, relationships, and outcome in the chosen chapter.
  • Students will support ideas with specific textual evidence from the text.

Success criteria

  • I can describe my character’s traits using specific, relevant details.
  • I can state my character’s motivation and predict how it drives actions in the chapter.
  • I can explain how my character changes the dynamics (relationships, tension, decisions) of my chosen chapter.
  • I can quote or closely reference specific moments from the text to justify my choices.

Curriculum links

  • EN4-URA-01: Students analyse how meaning is created through the use of and response to language forms, features and structures.
  • ENLS-URA-01: Students identify language and/or visual forms, features and structures (especially characterisation and narrative choices).
  • EN4-ECA-01: Students create personal, creative and critical texts for a range of audiences using linguistic and stylistic conventions to express ideas.
  • EN4-ECB-01: Students use processes of planning, monitoring, revising and reflecting to support and develop composition of texts.

Lesson structure (60 minutes)

  1. 0–5 min · Hook (character impact). Teacher shows three short prompts on the board: “What does this character want?”, “What do they do?”, “What changes because of them?” Students quick-write one sentence for each based on a scene they remember from the novel.

  2. 5–15 min · Mini-lesson (how characterisation creates meaning). Teacher models an analysis using one brief example from The Lightning Thief: identify a character trait (e.g., guarded, impulsive), the motivation behind it, and the dynamic shift in the chapter (e.g., new conflict, altered relationships). Students annotate their chosen chapter notes with: trait → evidence → effect on events/relationships.

  3. 15–25 min · Direct instruction (planning an authentic new character). Teacher introduces an “authentic character checklist” drawn from the Creating Authentic Characters reference: clear motivation, believable behaviour, and consistent choices; include a “function” for the character (what role they play in the plot—ally, rival, messenger, temptation, foil); keep voice and behaviour consistent with the narrative world. Students choose their chapter and sketch a quick plan: character name, role, one trait, one motivation, and expected impact.

  4. 25–40 min · Guided creation (build the character profile). Teacher distributes a one-page scaffold and reads the sections aloud. Students complete the profile in pencil, aiming for paragraph-level ideas rather than dot points.

  • Required sections:
  • Character overview (who they are in this chapter’s context)
  • Traits (at least 3, with a short explanation of what they look like in action)
  • Motivation (what they want and why, shown through likely choices)
  • Relationships and dynamics (2–3 relationships affected; what tension or cooperation changes)
  • Textual evidence section (at least 2 specific references: quoted phrases or close references to scenes from the chosen chapter, used to justify how/where the new character fits)
  1. 40–50 min · Evidence focus and peer check. Teacher runs a rapid “evidence ladder” reminder: claim about the character’s effect → point to a moment in the text → explain the link. Students swap profiles with a partner and use a checklist:
  • Have you explained how your character changes dynamics?
  • Have you included at least two specific textual references?
  • Are traits shown through actions/choices (not only labels like “nice”)?
  1. 50–58 min · Revise (monitoring and improving meaning). Teacher prompts students to improve one area: either (a) strengthen motivation with cause-and-effect, or (b) make evidence more precise by quoting or referencing a specific moment. Students revise quietly and underline the sentence they improved.

  2. 58–60 min · Exit ticket (quick demonstration of understanding). Students answer: “In my chosen chapter, my character changes the dynamic by ___ because in the text, ___.” Teacher collects responses for formative assessment.

Resources

  • Copies of Percy Jackson and the Lightning Thief (students’ chapter pages for reference)
  • Character Profile scaffold (teacher-created one-page template)
  • Highlighters and sticky notes for marking textual evidence
  • Scrap paper for planning
  • Board/visual showing the “authentic character checklist” (motivation, consistent behaviour, plot function)
  • YouTube video: Character Dynamics and Writing Fiction

Assessment

  • Teacher circulates during planning and creation, checking for accurate use of characterisation concepts (traits → motivation → action → effect).
  • Peer check focuses on whether textual evidence is specific and linked to the student’s claims.
  • Exit ticket assesses understanding of how the added character changes dynamics and whether students connect to the text.

Differentiation

  • Support: provide sentence starters for traits, motivations, and evidence (e.g., “My character is motivated to… because…”, “This affects the chapter when…”, “In the text, [short quote/close reference] shows…”).
  • Support: offer an optional “character role bank” (ally, rival, guide, temptation, distraction, foil) to help students choose a plot function.
  • Extension: students who finish early add a brief “voice check”—a 2–3 sentence mini-scene showing the character’s choices in the style of the novel’s moment, and justify how the choices match their motivation.
  • EAL/SEN: allow evidence to be written as close references (with page/scene description) if exact quoting is difficult; offer a word bank for trait language and relationship/dynamics words (e.g., conflict, trust, alliance, suspicion, fear).

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