
Music • 50 • 7 students • Created with AI following Aligned with Australian Curriculum (F-10)
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Explicitly show in each activity in the lesson Modelled- I do (Bangady’u) Guided- We do (nii): Independent- You do (Bangadyimi)
Lesson 6: It Went Viral In this lesson, students will explore the history of dance trends and how they reflect the social context of their time. They will build their understanding by analysing the key features of popular dance trends such as the Charleston, the YMCA, and the Macarena, and distilling their shared features into a mind map. They will then put theory into practice by creating their own dance trend that reflects current social influences.
Learning Intentions: To appreciate how dance trends reflect historical, social and cultural contexts
Success Criteria:
Do Now:
Activity 1. (10 minutes) Whole Class Students are going to demonstrate how many dance trends they know.
Activity 2. (5 minutes) Interactive Whole Class As a class, based on what they learnt in the video, students need to arrange dance trends in chronological order.
Activity 3. (10 minutes) In this activity, build a mind map with the class around what elements of dance and other factors can contribute to a dance becoming a popular sensation.
Activity 4. (20 minutes) Group Work Worksheets Assessment Opportunity In this activity, students will work together to come up with a new dance trend and document it.
Teaching and Learning activity: (Resources to be hyperlinked in this section. Make sure in your resources you identify the tasks of differentiation with each ability group.)
Students explore how popular dance trends reflect social and cultural context by analysing shared features of well-known trends (Charleston, YMCA, Macarena). They then create and document an original “viral” dance trend using the same music/dance elements as evidence.
Students will be able to:
“I can …”
NSW Syllabus outcomes (teacher mapping to school documents)
0–5 min · Do Now (setup and focus). Teacher checks students’ space, hands out resources/worksheets (enough for between 2), and connects screen/speakers; students silently review the lesson steps on the printed plan.
5–15 min · Activity 1 (I do (Bangady’u) → We do (nii)). Teacher (I do (Bangady’u)): demonstrates movement expectations using 1–2 sample trends—“If you know it, stand and do it; if you don’t, crouch and freeze.” Teacher plays the first track and exaggerates rhythm accuracy (claps/foot taps) to model listening. Students (We do (nii)): students join in for the next songs, copying the class signals and responding to each track; teacher watches for safe movement and quick transitions.
15–20 min · Activity 2 (We do (nii) whole-class sequencing). Teacher uses the board to list trend names and asks: “Which decade does this fit and what clues did you hear/see in the music/dance style?” Students (We do (nii)): as a class, they place each trend on a simple timeline and justify choices with 1–2 evidence words (tempo/rhythm feel, upbeat vs steady dynamics, repeating hook, instrumentation/texture).
20–30 min · Activity 3 (I do (Bangady’u) → We do (nii) mind map). Teacher (I do (Bangady’u)): draws “Dance Trend” in the centre and models one example connection: “The Charleston spreads because it has energetic, repeated rhythmic patterns that people can copy.” Teacher prompts and completes the mind map with students (We do (nii)): students suggest factors; teacher writes them and links each factor to a musical element. Teacher asks a targeted example: “Which factor fits the YMCA? How does the rhythm/musical hook help?” Students (We do (nii)): contribute using sentence stems:
For each creation moment, teacher uses:
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