
Music • 50 • 7 students • Created with AI following Aligned with Australian Curriculum (F-10)
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Show me at the start of each activity in the lesson Modelled- I do (Bangady’u) Guided- We do (nii) and Independent- You do (Bangadyimi) learning
Lesson 3: Decisions, Decisions In this lesson, students will explore common choreographic devices and how they can elevate a routine. They will work in groups to go through all stages of the choreographic process, including listening, improvising, planning, creating, performing and reviewing.
Learning Intentions: To choreograph a routine incorporating choreographic devices
Success Criteria:
Teaching and Learning activity: (Resources to be hyperlinked in this section. Make sure in your resources you identify the tasks of differentiation with each ability group.)
Do Now:
Activity 1. (5 minutes) Interactive Guided & Whole Class As a class, match the different terms to their definitions.
Activity 2. (10 minutes) Group Work Worksheets In groups, students will begin the choreography process by listening to the song and taking notes.
Activity 3. (10 minutes) Group Work Worksheets Students will listen to the song again, but this time improvise some movements to spark some ideas.
Teaching Notes Remind students that improvisation is an important starting point for choreographers. They listen to the song repeatedly and see what moves the music inspires Activity 4. (5 minutes) Worksheets Group Work Students will spend five minutes planning the structure of their routine.
Differentiation HP&G: Students could identify some of the dynamic qualities that they are going to use Lower Potential: Offer additional assistance if students are struggling to articulate their ideas
Activity 5. (15 minutes) Group Work Now, students will use the work that they have done so far and begin choreographing the sequence of movements into a routine.
Teaching Notes If you have extra time, it can be utilised in this activity. Alternatively, you could have students file their worksheets somewhere safe and come back to this activity in another lesson so students can continue to develop and refine their choreography
Differentiation HP&G: Students' routine can extend longer than the chorus and verse Lower Ability: Have students choreograph a routine for just the chorus Activity 6. (15 minutes) Assessment Opportunity Performance Group Work Students will now share their choreography with the class. Those who are not performing will complete the review sheet of each performance.
Teaching Notes The expectation shouldn't be for the performances to be super polished. This is an informal opportunity for students to share what they came up with during the creative process. Proactively highlight groups who successfully used choreography devices. Variations You could collect the associated worksheets for marking if you are using this lesson as an assessment opportunity
Activity 6. (15 minutes) Assessment Opportunity Performance Group Work Students will now share their choreography with the class. Those who are not performing will complete the review sheet of each performance.
Where applicable, delete any gradual release not required in lesson: Modelled- I do (Bangady’u) Guided- We do (nii): Independent- You do (Bangadyimi)
Students explore choreographic devices and use music to shape a short routine. They will follow a complete creative process: listening, improvising, planning, creating, performing, and reviewing.
Students will be able to:
Students can:
NSW Syllabus outcomes (teacher to select the closest matching dance/creative arts outcomes for your school’s register):
0–5 min · Do Now + Setup (Bangady’u). Teacher distributes/collects required printouts, checks space, and plays a video/audio excerpt; students complete the worksheet/quiz-related “preview” tasks silently as instructed.
5–10 min · Interactive Term Match (Bangady’u). Teacher displays the matching pairs and models thinking aloud while deciding which definition fits each choreographic term; students “chorus respond” by calling out correct pairings and correcting misconceptions.
10–20 min · Listening + Notes (nii). Teacher gives a brief model: “Listen for the parts that feel like repetition/motifs or contrast; write short notes on what you hear and what movement you imagine”; students work in their groups of 3–4 to listen to “A Sky Full of Stars” and complete Worksheets 1–3.
20–30 min · Improvisation Turn-Taking (Bangadyimi). Teacher demonstrates one safe improvisation idea using levels + one locomotor/non-locomotor choice, then sets the rule: each person improvises while others record the best moments; students improvise with turn-taking, using the worksheet prompts to capture movement ideas (shape, levels, locomotor/non-locomotor, dynamics, expression).
30–35 min · Structure Planning (nii). Teacher models how to turn ideas into an ordered plan for verse/chorus (example: “Start with motifs, add contrast on the chorus, use embellishment on key beats”); students plan collaboratively with the Planning worksheet using a timer and device checklist.
35–50 min · Create + Practise + Audience Prep (Bangadyimi). Teacher circulates with targeted questions (“Where is your contrast? Which moment shows repetition/motif? How will your dynamics change?”) while playing the song sporadically; students choreograph and rehearse their chorus + verse routine, then get ready at the front when prompted.
50 min · (If time-over) Performance Start + Review Protocol (quick wrap). If you finish early: teacher starts short performances and collects the review sheet evidence; if not, complete performances next lesson—students still rehearse and finalise device use today.
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