
English • 45 • 30 students • Created with AI following Aligned with Australian Curriculum (F-10)
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This is lesson 16 of 30 in the unit "Voices on the Fringes". Lesson Title: Exploring Narrative Structures Lesson Description: WALT: Explore narrative structures in both texts. Success Criteria: Identify narrative techniques used by Dalton and Waititi. Differentiation: Use graphic organizers for comparing structures. Extension: Write a short narrative using learned techniques.
In this 45-minute lesson, students compare how Dalton and Waititi shape narrative structure and sustain distinctive voices. Building on prior close reading, they identify structural techniques, discuss their effects on audiences, and apply selected techniques in a short original narrative.
0–5 min · Hook and retrieval. Teacher opens with the hook and learning intention slides and displays the question, “How can the order of events change the way we judge a character?” Students silently recall one technique from the previous lesson, then share an example with a partner. Invite two or three responses, reinforcing terms such as chronology, flashback, foreshadowing, framing and circular structure.
5–12 min · Explicit teaching. Teacher uses the narrative structure teaching slides to model a simple narrative arc: orientation, complication, climax, resolution and reflection. Explain that structure includes the order, pace and arrangement of events, not only what happens. Briefly model how a flashback, withheld information, parallel storyline or circular ending can create tension, sympathy, surprise or ambiguity. Students annotate a six-part narrative arc in their books and predict one possible audience effect for two techniques.
12–17 min · Guided comparison. Teacher displays short, teacher-selected excerpts or previously studied passages from Dalton and Waititi, using the paired-text comparison slides. Read the passages aloud, offering students a printed or digital copy. Think aloud while identifying one structural choice in each text and linking it to voice, representation and audience response. Students highlight or mark the moment where the structure shifts and contribute observations during a brief whole-class discussion.
17–29 min · Collaborative analysis. Teacher forms 10 mixed-ability groups of three and distributes the comparative narrative structure organiser. Assign each group one structural focus: chronology and sequencing, opening, pacing, turning point, perspective, withheld information, ending or repetition. Students locate evidence in both texts, record the technique, and explain its effect using the organiser. Each group prepares one comparative statement beginning, “Both texts…, however Dalton… while Waititi…”. Circulate to question students about how the choice reflects context and represents people, places or events.
29–36 min · Share and evaluate. Teacher uses the discussion and comparison prompt slides to display the comparative sentence frame and prompts: “Which structure creates greater sympathy?”, “Where is information deliberately delayed?” and “How does the structure support each creator’s voice?” Groups share one finding. Students listen actively, record one similarity and one difference from another group, and vote on which structural choice most strongly affects the audience, justifying their decision.
36–43 min · Creative application. Teacher introduces the writing challenge on the creative writing instructions and checklist slides: write 120–150 words about a character on the edge of a group, place or situation, using at least two techniques identified in the lesson. Students choose a linear opening with a delayed reveal, a flashback, a circular ending, a shift in pace or another studied technique. They should sustain a clear voice and consider the intended audience. Students who prefer may dictate their ideas, use speech-to-text, or plan orally before writing.
43–45 min · Exit reflection. Teacher displays the final prompt on the plenary slide. Students complete the bottom of the organiser: “The technique I used was… It affects the audience by…”. Collect organisers or photograph selected responses for planning the next lesson.
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