
Drama • 9th Grade • 60 minutes • 25 students • Created with AI following Aligned with provincial curriculum standards
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This is lesson 5 of 18 in the unit "Contemporary Drama Ensemble Lab". Lesson Title: Canadian Theatre, Place, and Context Lesson Description: Study varied Canadian theatre practices through excerpts, interviews, production images, and trailers from artists such as Hannah Moscovitch, Judith Thompson, Jordan Tannahill, Guillermo Verdecchia, Drew Hayden Taylor, Yvette Nolan, Monique Mojica, Tara Beagan, Jani Lauzon, and Reneltta Arluk. Frame Canada as plural and contested, not a single story. Ask who speaks, who is represented, who has access, and whose labour is missing. Use Richmond and Metro Vancouver connections such as Gateway Theatre, Arts Club Theatre, Pacific Theatre, Theatre Replacement, PuSh, and Full Circle: First Nations Performance; use current programming only after checking official sources. Students create a context-and-care map for one excerpt. Do not reproduce sacred, ceremonial, or community-owned material.
Lesson 5 of 18 in Contemporary Drama Ensemble Lab. Students examine Canadian theatre as plural, contested, and shaped by place, identity, access, and labour. Using carefully selected excerpts and production materials, they create a context-and-care map for one work, building on prior ensemble, performance, and response skills.
Students will:
0–6 min · Provocation and framing. Teacher opens the hook and framing slides with the question, “Who gets to tell a Canadian story?” and establishes that Canada contains many distinct, living communities and contested histories. Students silently record one possible answer, then share with a partner; the teacher reminds them not to imitate accents, sacred practices, or community-owned material.
6–16 min · Curated theatre landscape. Teacher uses the Canadian theatre landscape slides to introduce selected artists and companies, such as Hannah Moscovitch, Judith Thompson, Jordan Tannahill, Guillermo Verdecchia, Drew Hayden Taylor, Yvette Nolan, Monique Mojica, Tara Beagan, Jani Lauzon, and Reneltta Arluk. Include short, age-appropriate excerpts, interviews, production images, or trailers, plus Richmond and Metro Vancouver connections such as Gateway Theatre, Arts Club Theatre, Theatre Replacement, PuSh, and Full Circle: First Nations Performance. Students note one artistic choice and one contextual question for each example; use current programming only after checking official sources.
16–24 min · Structured viewing and discussion. Teacher presents two contrasting examples and pauses for the prompts on the viewing and discussion slides: “Who speaks?”, “Who is represented?”, “Who has access?”, “Whose labour is visible or missing?”, and “What might the venue, audience, or place change?” Students discuss in groups of four, distinguishing observation from assumption and using evidence from the material.
24–30 min · Model a context-and-care map. Teacher models one fictional or publicly documented example on the mapping model slides, thinking aloud through six headings: work and artist, place and time, voices and perspectives, audience and access, labour and power, and care questions. Explicitly state that students must not reproduce sacred, ceremonial, or community-owned material, and should identify uncertainty rather than speculate.
30–48 min · Collaborative mapping. Teacher forms groups of four or five and distributes the context-and-care map. Each group chooses one provided excerpt or production example, then completes the map using evidence from the slides and classroom materials. Students identify the work’s context, dramatic elements, intended or implied audience, represented and absent perspectives, access considerations, and one responsible question for further research. One student may act as reader, one as evidence-finder, one as recorder, and one as care-checker.
48–56 min · Gallery response and refinement. Teacher displays the gallery response slides and asks groups to leave one specific observation and one respectful question on another group’s map. Students rotate, read another map, and revise one statement or add one care consideration in response to feedback.
56–60 min · Plenary and exit reflection. Teacher returns to the opening question using the plenary and exit prompt. Students complete the final section of the worksheet: “One way place shapes drama is…”, “One perspective I need to avoid assuming is…”, and “One action that demonstrates care is…”. Invite two or three voluntary responses.
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