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Designing for Story

Drama • Year 9 • 50 • 8 students • Created with AI following Aligned with New Zealand Curriculum

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Drama
Year 9
50
8 students
20 August 2026

Teaching Instructions

This is lesson 18 of 30 in the unit "Spotlight on Musical Theatre". Lesson Title: Costume and Prop Design Lesson Description: Discuss the importance of costumes and props in storytelling and begin designing for characters.

Overview

Lesson 18 of 30 in Spotlight on Musical Theatre. Students explore how costume and props communicate character, setting, status and mood, then begin designing visual elements for a musical-theatre character.

Learning intentions

  • WALT explain how costumes and props support storytelling.
  • WALT identify how colour, shape, texture and materials communicate character.
  • WALT make purposeful design choices for a musical-theatre character.
  • WALT communicate and respond to ideas using drama vocabulary.

Success criteria

  • I can explain how a costume or prop reveals something about a character.
  • I can make at least three purposeful design choices.
  • I can label my design with reasons connected to character and story.
  • I can give and use constructive feedback.

Curriculum links

  • Developing and communicating ideas through drama, using visual elements to shape character and meaning.
  • Understanding how drama elements, techniques and conventions work together in performance.
  • Exploring and responding to drama in its social and cultural contexts.
  • Building confidence, collaboration, creativity and critical thinking through an authentic design process.

Lesson structure (50 minutes)

  1. 0–5 minutes – Hook: What does the audience know? Display a striking image of a single costume or prop, such as a bright red crown, worn suitcase or oversized pair of sunglasses, using the opening visual and hook question. Ask: “What might the audience assume about the character before they speak?” Students offer one inference and one piece of visual evidence.

  2. 5–12 minutes – Teacher modelling and discussion Use the costume and prop teaching slides to introduce how designers communicate character, setting, time period, relationships, status and mood. Model a quick design decision: a character with low confidence might wear oversized, dull clothing and carry a small, carefully protected object. Emphasise that effective design choices are intentional rather than simply decorative. Invite students to identify colour, line, shape, texture, scale and condition.

  3. 12–17 minutes – Design challenge briefing Place students in two groups of four. Each group selects or is assigned a musical-theatre character archetype, such as an ambitious performer, lonely newcomer, comic sidekick or powerful leader. Open the design challenge and success criteria and explain that students will create an initial costume-and-prop concept for one character. They must include at least one costume idea, one significant prop and reasons for their choices.

  4. 17–32 minutes – Individual design work Distribute the costume and prop design worksheet. Students sketch a front-view costume and one prop, then label choices for colour, material, shape, condition and practical use on stage. Encourage students to consider movement, visibility and safe handling. Circulate and conference with students using questions such as: “What will the audience understand immediately?” and “How does this choice fit the character’s journey?” Students may use classroom objects as visual references.

  5. 32–41 minutes – Group design consultation In groups of four, students present their developing designs. Each listener gives one specific strength and one question or suggestion, referring to the success criteria. Use the peer-feedback prompts to maintain focused discussion. Students revise one design choice or add one label in response to feedback.

  6. 41–47 minutes – Mini gallery share Students place their designs where everyone can see them. Each group chooses one design to explain in 30 seconds: the character, the key costume choice, the important prop and the intended audience effect. Class members identify what they can infer about the character from the visual choices alone.

  7. 47–50 minutes – Plenary and next step Return to the reflection and next-step slide. Students complete the final section of the worksheet: “One design choice that communicates character is…” and “Next lesson I need to develop…” Collect worksheets to inform the next lesson, where students will refine designs and consider how they will function in performance.

Resources

  • the complete costume and prop design slide deck
  • the costume and prop design worksheet
  • Plain paper and pencils
  • Coloured pencils, markers or crayons
  • A selection of safe classroom objects for visual reference
  • Board or display space for the mini gallery
  • Timer
  • Optional images of costumes and props from suitable musical theatre productions

Assessment

  • Observe discussion and questioning for understanding of how visual choices communicate character and meaning.
  • Check worksheets for a clear character concept, at least three labelled and justified design choices, and consideration of stage practicality.
  • Use peer feedback and the plenary response as formative evidence to identify students needing support with visual communication or drama vocabulary.

Differentiation

  • Provide a choice of character prompts and a word bank including status, mood, period, colour, texture, silhouette, contrast and symbolism.
  • Support students who need it with a partially completed character profile, pre-selected visual references, sentence starters and the option to explain ideas orally before drawing.
  • For EAL learners, use images, gestures and paired talk; accept labelled sketches, bilingual notes or oral explanations alongside written justifications.
  • Extend confident students by requiring a design that changes during the character’s journey, or by explaining how the costume and prop will support movement, lighting and audience focus.

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