Overview
This 50-minute lesson is designed for Year 9 students and is the fourth lesson in the 14-lesson unit "Exploring Literature and Themes". It aims to develop students’ understanding of how poets use imagery to evoke emotions and create vivid mental pictures. The lesson strictly follows the National Curriculum for England English Programme of Study for Key Stage 3, focusing on reading and appreciating a range of poems and developing analytical skills related to language features.
Curriculum Links
National Curriculum for England – English: Key Stage 3
-
Reading - comprehension:
Pupils should be taught to:
- Read and critically appreciate a range of classic and contemporary poetry.
- Identify and interpret themes, settings, and language, including figurative language, vocabulary choice, and how these influence the reader’s response.
- Analyse how writers use language, including figurative language, considering the impact on the reader.
-
Writing - vocabulary, punctuation and grammar (applied through discussion and written responses):
- Use precise and varied vocabulary to convey meaning and atmosphere.
-
Spoken Language (used during paired and group discussions):
- Articulate ideas fully and listen and respond appropriately to others.
Learning Objectives
By the end of this lesson, students will be able to:
- Define and identify different types of imagery (visual, auditory, tactile, olfactory, gustatory) in poetry.
- Analyse how imagery in poems evokes emotions and creates vivid mental pictures.
- Explain the effect of imagery on the reader’s experience and interpretation of the poem.
- Use evidence from the text to support their analysis.
Success Criteria
- Can name and explain at least three types of imagery.
- Can annotate poems effectively with examples of imagery highlighted.
- Can discuss and write about how imagery affects readers’ emotions and understanding.
- Uses subject-specific vocabulary such as “imagery”, “evokes”, “sensory language”, and “figurative language”.
Resources Needed
- Copies of two contrasting poems selected for rich imagery (e.g., William Blake’s “The Tyger” and Carol Ann Duffy’s “Originally”)
- Whiteboard and markers
- Colour-coded highlighters for students (five colours, one per sensory imagery type)
- Worksheets for guided annotation
- Laptops/tablets for follow-up research task (optional)
- Audio versions of poems (if possible) to enhance auditory imagery awareness
Lesson Structure (50 minutes)
1. Starter (5 mins)
Activity: Sensory Brainstorm
- On the board, list the five senses: sight, sound, touch, smell, taste.
- Students quickly write down as many words as they can that relate to each sense (e.g. “glowing”, “whispering”, “soft”, “musty”, “bitter”).
- Brief class share discussing how these words could help create imagery in writing.
Rationale: Engages sensory thinking and activates prior knowledge about descriptive language.
2. Introduction to Imagery (10 mins)
Teaching input:
- Define "imagery" as language that appeals to the senses and creates mental images.
- Explain the five types of imagery with examples (from simple sentences or well-known poems).
- Emphasise that imagery contributes to mood and emotional impact.
Teacher models: Choose a stanza from William Blake’s “The Tyger”. Read aloud and display it.
- Identify and annotate examples of imagery, highlighting words linked to different senses.
Tip: Use colour-coding on the board to show different imagery types.
3. Guided Practice (15 mins)
Activity: Poetry Annotation in Pairs
-
Distribute copies of Carol Ann Duffy’s “Originally” (or a poem relevant to unit themes).
-
Provide a worksheet with guiding questions:
- Identify and underline examples of imagery. Which senses do they appeal to?
- What emotions are evoked by these images?
- How do these images help you understand the poem’s theme?
-
Students colour-code imagery examples using highlighters.
-
Teacher circulates, scaffolding and prompting deeper thinking.
4. Class Discussion (10 mins)
Focus: Sharing findings and deepening analysis
- Invite pairs to share examples they found and discuss the emotional effects.
- Facilitate exploration of how contrasting images within a poem build complexity (e.g., comfort vs. alienation).
- Highlight how imagery is not just decoration but essential for theme development.
5. Independent Application (7 mins)
Writing task:
- Students write a short paragraph analysing a chosen image from “Originally” or “The Tyger”, explaining what senses it appeals to, what emotions it evokes, and how it influences their understanding of the poem.
6. Plenary (3 mins)
- Quick quiz (or “thumbs up/down”) on the key question:
“Does imagery affect how we feel about a poem? Why or why not?”
- Recap success criteria and learning objectives.
- Preview next lesson: Exploring symbolism in poetry.
Assessment
Formative assessment:
- Ongoing through observation of pair work and class discussion participation.
- Assessment of annotation worksheet and paragraph for evidence of understanding and use of subject terminology.
End-of-lesson exit ticket:
- Students write one sentence explaining how imagery helps a poet communicate ideas or emotions, citing an example from the poems studied.
Differentiation
- Support: Provide sentence stems for annotation and paragraph writing; use visual aids.
- Challenge: Ask more able students to identify metaphorical or symbolic implications of imagery and consider multiple interpretations.
Teacher Reflection / Notes
- Emphasise multisensory engagement: listening to a poem aloud can enhance understanding of auditory imagery.
- Consider incorporating creative follow-up: students compose a few lines of poetry focusing on sensory imagery to consolidate learning.
- Monitor for engagement with less confident readers – pair strategically.
This lesson plan incorporates National Curriculum demands for reading literature critically, focusing on language features, and developing analytical skills, tailored for Year 9 students. It encourages active learning, collaboration, and individual reflective writing, offering a balanced, vibrant approach to exploring imagery in poetry.