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Conflict and Resolution

English (ELA) • Year 6 • 60 • Created with AI following Aligned with Common Core State Standards

English (ELA)
6Year 6
60
18 February 2025

Conflict and Resolution

Lesson Overview

Unit: Writing Adventures in Aru
Lesson Number: 5 of 10
Duration: 60 minutes
Class Size: 15 students
Age Group: Year 6
Curriculum Area: English (Writing)
UK National Curriculum Links:

  • Writing Composition: Plan, draft, write, edit, and improve writing.
  • Reading Comprehension: Identify themes and key elements in fiction.
  • Vocabulary, Grammar, and Punctuation: Use descriptive language effectively.

Learning Objectives

By the end of the lesson, students will:

  • Identify different types of conflict in Aru Shah and the End of Time.
  • Analyse how conflict drives a story forward.
  • Plan and write a short conflict-oriented prompt for Aru and her friends.

Lesson Structure

1. Starter Activity - Conflict Countdown (10 mins)

Objective: Engage students in identifying different types of story conflict.

  • Write these five types of conflict on the board:

    1. Character vs. Self (Internal conflict)
    2. Character vs. Character
    3. Character vs. Nature
    4. Character vs. Society
    5. Character vs. Supernatural
  • Ask: Which type of conflict do you think is the most exciting? Why?

  • Give students 60 seconds in pairs to come up with an example from books or films.

  • Take quick responses from 3–4 students before moving on.


2. Whole-Class Discussion - Conflict in Aru’s Story (15 mins)

Objective: Analyse the existing conflicts in Aru Shah and the End of Time.

  • Display an excerpt from the book showing a moment of conflict (e.g., Aru struggling with responsibility, an argument with Mini, or a supernatural threat).
  • Ask guiding questions:
    • What type of conflict is this?
    • How does this conflict make the story more exciting?
    • What would happen if this conflict didn’t exist?
  • Write key ideas on the board under "Conflicts in Aru’s Journey".

3. Modelling a New Conflict (10 mins)

Objective: Demonstrate how to introduce a new conflict in a story.

  • Use a simple scaffold: Setting + Character Goal + Obstacle = Conflict
  • Example: Aru and Mini enter an ancient temple (setting), searching for a magical key (goal), but the temple's walls begin to shift like a maze (obstacle).
  • Ask students: What type of conflict is this? How could this challenge Aru and Mini further? (Take 2–3 responses).

4. Independent Task - Create Your Own Conflict (15 mins)

Objective: Students create their own short conflict-based story prompt.

  • Hand out "Create a Conflict" prompt sheets with scaffolded sentence starters:
    • Aru and her friends arrive at…
    • Their goal is to…
    • But suddenly…
    • Now, they must…
  • Students complete their conflict prompts using descriptive language and suspenseful details.
  • Support students who need help developing ideas.

5. Pair Share & Feedback (10 mins)

Objective: Develop peer reflection and improve writing.

  • Each student reads their conflict scenario to a partner.
  • Partners provide one piece of positive feedback and one improvement idea.
  • Select 2–3 students to share their conflicts with the class.

Assessment/Plenary

  • Ask: How do conflicts help make stories more exciting?
  • Use the "Fist-to-Five" method (closed fist = not confident, five fingers = mastered) to gauge confidence in recognising conflict in stories.
  • Collect conflict prompts and check if students successfully introduced a conflict with clear stakes.

Differentiation

  • Support: Use sentence stems and provide picture prompts.
  • Stretch: Ask higher-ability students to include dialogue or inner thoughts to show how conflict affects a character emotionally.

Teacher Reflection

  • What went well? Did students grasp the link between conflict and story progression?
  • What needs improving? Were students able to generate varied conflict types, or did they struggle with originality?
  • Next Steps: How can we build on this in Lesson 6?

This lesson immerses students in storytelling by making conflict an exciting, hands-on concept. By the end, they won’t just identify conflicts in Aru’s story—they’ll create their own! 🚀

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