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Fate vs Free Will Planning

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Fate vs Free Will Planning

Read the original story, then plan a short piece that explores whether people shape their own futures or are carried along by forces beyond their control. Use evidence from the story and make your creative choices purposeful.

The Last Signal

At 6:17 pm, a storm knocked out the lighthouse beacon. Mara, the new keeper, heard the harbour radio crackle: a fishing boat was still beyond the reef. Her grandfather had warned her never to climb the tower during a storm. Years earlier, he had slipped on its stairs and broken his leg. “Some dangers are written into a place,” he always said. Mara looked at the dark sea. She could wait for the backup generator, which might take twenty minutes to restart, or climb the tower and light the emergency lamp by hand. She remembered the boat’s captain telling her that the crew would be home for dinner. Then she noticed the generator’s red warning light: its fuel line had come loose. Mara took the emergency lamp and started up the stairs. Halfway up, the wind slammed a shutter open. She nearly turned back. Instead, she tied the shutter closed with her scarf and kept climbing. At the top, her hands shook as she lit the lamp. The beam swept across the water. A minute later, the radio crackled again. “We see you,” said the captain. “We’re turning for the safe channel.” Mara watched the boat’s lights change direction. The storm had not chosen for her. But she wondered whether the warning, the loose fuel line and the boat’s timing had pushed her towards a choice she was always going to make.

Read closely

Use the story above for Questions 1–6. For Questions 7–10, plan an alternative version of a key decision.

1.Select the most accurate summary of her options.
  • Wait for the generator or climb the tower and light the emergency lamp herself.
  • Leave the lighthouse or radio the boat to return to shore.
  • Repair the fuel line or ask her grandfather to climb the tower.
  • Light the lamp now or wait until the storm has passed.
2.Name two details that make the decision feel as if circumstances are pushing Mara towards action.
3.When the shutter blows open, Mara nearly turns back, then ties it closed and continues. What does this moment most strongly suggest about her?
  • She is making a deliberate choice despite fear.
  • She believes the storm has no real danger.
  • She is following an order from her grandfather.
  • She knows exactly how the story will end.
4.Choose one detail that could support an interpretation of fate, and explain how it supports that reading.
5.“The beam swept across the water.” Which technique gives the beam an action usually associated with a living thing?
  • Personification
  • Alliteration
  • Onomatopoeia
  • Rhyme
6.In your own words, explain the tension in Mara’s final thought: “The storm had not chosen for her” yet events may have “pushed her towards a choice”.

Plan your own version

You can change the decision, the outcome or the narrator’s perspective. Keep the conflict believable and make the fate-versus-free-will idea clear through the character’s actions and the consequences.

7.Select one turning point to alter in your retelling.
  • Mara discovers the fuel line has come loose.
  • Mara nearly turns back when the shutter flies open.
  • Mara lights the emergency lamp.
  • The boat turns towards the safe channel.
8.At the turning point you chose, what different action will Mara take? Give a specific action, not just a feeling.
9.Show a cause-and-effect chain for your alternative: what happens immediately, and what is the later consequence for Mara or the boat?
10.Choose one technique and write a line you could include in your version. Then explain how the line hints at fate or free will.

3 printable pages

  • Fate vs Free Will Planning, page 1 of 3: The Last Signal, Read closely

    Page 1

  • Fate vs Free Will Planning, page 2 of 3: 2. Name two details that make the decision feel as if circumstances are pushing Mara…

    Page 2

  • Fate vs Free Will Planning, page 3 of 3: Plan your own version

    Page 3

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